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Tuesday, December 23, 2008

'The Wrestler' Director: Darren Aronofsky

Written by Washington Post Express contributor Alfredo Flores
Photo by Niko Tavernies for Express
WRESTLERS PROTECT EACH OTHER from harm in the ring, sell their baby face or heel personae and, after taking a beating, they grab a beer together, maybe hit a strip club. This is what happens in the underground wrestling circuits, and in the film "The Wrestler." The story of a washed- up wrestler doing whatever it takes — performance-enhancing drugs, complete disregard for his body and his family — to reach the big time again stars Mickey Rourke, an actor with comeback issues of his own. Rourke is gaining some serious Oscar buzz for his portrayal of Randy "The Ram" Robinson. » EXPRESS: What kind of physical transformation did Rourke go through?» ARONOFSKY: The physicality was really hard. I wasn't sure if Mickey could pull it off. He's normally 190, a big guy, but not Hulk Hogan. He put on 36 pounds of muscle over six months and turned into a wrestler.» EXPRESS:Who did you base his character on?» ARONOFSKY: I'd say Randy "The Ram" is an amalgamation of a lot of different wrestlers. The more of these old-timers that we met, the more stories we'd heard before, a lot of the stories were similar, so we kind of shaped it into our own story.» EXPRESS:Who was the guy Rourke wrestles in the film's most notoriously gruesome fight scene? » ARONOFSKY: Necro Butcher is who he wrestles, an underground cult American hero. He's a marquee top villain draw. He's the last guy on the card, and everyone in the crowd goes crazy. Although now he just changed his name to Hollywood Dylan Summers, he has a manager named Aaron Aronofsky who also gets beat up a lot. He's the real deal, a hardcore wrestler, and that stuff really goes on.» EXPRESS:How come so many scenes were shot from behind Rourke?» ARONOFSKY: I wanted it to be sort of a proactive documentary — someone looks over; you react to it. In a documentary there's no way to know where they'll move. But here, it just became a language. » EXPRESS:What kind of reaction have you had from pro wrestlers?» ARONOFSKY: We brought out Rowdy Roddy Piper once and, after the movie, he stands up and all we see is a silhouette of a man. We were terrified that he hated the movie, but he basically came up to Mickey, gave him a hug and starting sobbing in his arms because it was the first time that his story has been told. For Mickey and me it was a big thrill to hear the appreciation from those guys. » EXPRESS:Where did the idea come from?» ARONOFSKY: When I graduated from film school, I had a bunch of ideas and one of them was "The Wrestler." Back in '02, me and producer Scott Franklin started working on some ideas and we read this script from Rob Siegel, who was the editor of the Onion. He ... had a lot of humor, but also a lot of darkness. And we started talking and, 25 drafts later, we shot it. It was a long process. » Area theaters, opens Thu., Dec. 25 Posted By Express at 12:00 AM on December 22, 2008 Tagged in Arts & Events , Film , Weekend Pass
Top 10 Albums of the Year
Posted: December 22, 2008 Washington City Paper
Our critics weigh in on the year's best discs.
Alfredo Flores
1. Los de Atras Vienen Conmigo, Calle 13 (Sony International)
2. MTV Unplugged, Julieta Venegas (Sony International)
3. Mediocre, Ximena Sariñana (Warner Music Latina)
4. Tha Carter III, Lil Wayne (Cash Money)
5. Evolver, John Legend (G.O.O.D. Music)
6. Sonidos Gold, Grupo Fantasma (Aire Sol)
7. The Renaissance, Q-Tip (Universal Motown)
8. Río, Aterciopelados (Nacional)
9. Radio Retaliation, Thievery Corporation (ESL Music) The “outernational” movement—a term coined by Jamaican rastas for an appreciation and empathy for all people—has kept Thievery Corporation going strong for the past dozen years, sampling from all sorts of music, both new and decades old. On their latest, the D.C. duo smartly sticks with groovy beats, but with an expanding arsenal of global rhythms.

Tuesday, December 02, 2008

On Tap magazine December 2008

One of the most diverse and strangely theatrical stage performers in music today, Gogol Bordello is a multi-ethnic Gypsy punk band from New York that finds its inspiration from Gypsy music--its core members are immigrants from Eastern Europe, with Ethiopian—and former member of DC reggae band Zedicus--Thomas Gobena on bass and backup vocals. They specialize in socially driven rock music, but are best known for their stage antics—mosh pit diving, jump kicks, and an impressive display of energy. Their latest album, “SUPER TARANTA!” is a sort of gypsy speed metal dub, and ties in perfectly with their mastery of the brutally difficult gypsy two step rhythm (derived from Eastern European ska music) augmented by punk, metal, rap, flamenco, roots, reggae, Italian spaghetti, Western twang, dub, and other rich sounds generated by gypsies and rebels across the globe.--Alfredo Flores.